United Kingdom & Ireland - EN

Lascaux IV International Centre for Cave Art

logo check
What's your challenge?
Design with glass

From anti-reflection to color tints, modern glass enhances design in many ways.

Build with glass

Whatever the construction challenge, we have the glass to help meet it.

Glass for your home

See how the correct choice of glass can help transform a home – and even our wellbeing.

Highlights
122 Leadenhall - The Cheesegrater

The 75,000 square metres façade features a curtain wall that is double glazed to allow for a high solar protection on neutral-looking glass.

Fruit and Wool Exchange

The new-build façades are predominately brick-faced, with punched windows to reflect the surrounding context.

Caudwell International

Curved glass, punch windows and precast stone panels make up the envelope on a figure-of-eight footprint.

Discover our showcase projects, captured through the lens of professional photography.

Explore Guardian Glass projects in your area and beyond with Google Street View and be inspired by the possibilities.

Highlights
Our story

Just as we were in 1932, we're ready to meet the challenges of now and the future

Environmental Stewardship

Find out more about how glass can support sustainable design

Quality control

We strive for quality in everything we do

Lascaux IV International Centre for Cave Art

Museum / arts

Avenue de Lascaux

Montignac, 24290

France

Museum / arts

Avenue de Lascaux

Montignac, 24290

France

...

Lascaux IV: International Centre for Cave Art, Montignac, France

The International Centre for Cave Art in Montignac, France, welcomes visitors to an immersive educational experience of the prehistoric Lascaux cave paintings.

Architects Snøhetta and SRA, alongside scenographer Casson Mann, worked closely with a team of archaeologists to create a holistic museum and educational experience. The form and materiality of the museum have a monolithic, sober expression, that speaks to the surrounding nature and huge rock formations. The cave replica was developed through advanced 3D laser scanning and casting technologies to replicate the original cave form.

The floors, walls, roof and façade strip are made from the same architectural concrete that gives the whole a monolithic aspect. The project’s second material, glass, dominates in the façade and in the roof glazing (supplied by Guardian) above the orientation area. This area is illuminated by a fissure of daylight from above, creating a calm and contemplative zone for visitors to rest between exhibitions.

Together with the concrete, the glass produces a series of contrasting effects throughout the museum: opaqueness and transparency, light and shade, unfinished and sophisticated, rough and smooth. Their balance helps give the museum a unique contemporary feel.

Design and supply team

Tvitec

Fabricator

Snøhetta Oslo AS

Architect

Coveris

Glazier

VPEAS

Other

Surrounding Projects